What’s the first thing to do when you take delivery of your brand new Blackmagic 4K Production Camera? Strap it to a drone and send it hundreds of feet into the air of course! Well if you’re brave enough to attempt such a thing the results are breathtaking, as proven by the guys at Aerial Inspections.
Remote Camera operator Tom Waugh said…
Flying with the Blackmagic 4K Production Camera is great. The simplicity of the form factor and strong aluminium mounting points make setup and balancing easy on the MoVI. Global shutter means our fly-bys, pans and fast flying forward moves aren’t affected by rolling shutter artefacts that we have had previously, particularly with Blackmagic Design Pocket Cinema Camera and of course DSLRs. The vast majority of our aerial work is in daylight so the limited ISO 200-800 of the BMPC4K satisfies. We can also fly Red Epics or Canon 1DCs on our setup, so if we need low light sensitivity we can use those cameras instead. We haven’t had any sensor issues such as bright pixels that some others seem to be experiencing with the BMPC4K.
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Blackmagic 4K: World's first aerial shots - Perform Video
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