Sunday, 16 March 2014

Blackmagic Cinema Camera vs Blackmagic Production Camera 4K - Resolution, DR and Noise Tests


Blackmagic Cinema Camera vs Blackmagic Production Camera 4K:


Filmmaker Brad Bell compares the low light performance of the Blackmagic Cinema Camera with the new 4K Production Camera:


The only concern I have about replacing a Blackmagic Cinema Camera with a 4k Production camera is low light. I often shoot on a monopod because a tripod is too slow. I need to shoot low light, using whatever is available. However, I also want a super 35 sensor, which means more stable images; and global shutter, as it means what movement there is gains some elegance – and it also means stabilising without jello. And 4k. But can the Production Camera handle the exquisitely subtle and deathly goth pallor of British light? Or will the S35 global shutter 28mm IS dream die in the dimness?


 



Blackmagic Cinema Camera vs Blackmagic Production Camera 4K - Resolution, DR and Noise Tests

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