Tuesday, 29 April 2014

Red Giant Universe is Here!

Plugin creators Red Giant Software have officially launched their new Universe community following a successful 8 week long public beta trial. In addition to the standard Universe launch, Red Giant have also unveiled Universe Premium Membership, a paid subscription that gets you access to more tools and features.





This from the official site…


What is Red Giant Universe?


Red Giant Universe is a community that gives members access to fast and powerful free tools for editing, filmmaking, visual effects and motion design. Every tool in the Universe library of effects and transitions is GPU-accelerated, both Mac and Windows compatible, and works across multiple host applications including: After Effects, Premiere Pro, Final Cut Pro X and Motion. The Universe library of tools is continuously growing—new effects and transitions are added regularly, and existing tools are updated often, based on user feedback.


Universe membership is FREE and comes with 31 free plug-ins that are yours for life! More free tools will be added regularly.


—-


What is a Premium Membership?


We’re trying something new with Universe. While many of the Universe tools are free, there are a lot that are available as a part of Premium membership – paid for via monthly, yearly, or lifetime subscription plans. With premium membership, you get access to more tools and the absolute best Universe has to offer. Most of these are brand new tools and we wanted to offer them to you with the option of paying for them at a low initial fee. However, for those who want to just pay outright, and avoid subscription, we offer a pay-once-only lifetime option.


How much does Premium Membership cost?


Premium membership is available for $10 a month, $99 a year (that’s 20% off the monthly cost), and $399 for lifetime membership that never expires.


What included in Universe?


Universe 1.0 includes 50 plugins. Many of them are free, while some are available with a premium subscription. Here’s the breakdown:


  • 31 Free Tools (22 Effects & 9 Transitions)

  • 19 Premium Tools (12 Effects & 7 Transitions)

The Premium plug-ins, are available as a free 30-day, fully functional trial when you install Universe.  After 30 days, they will render with a red X watermark. If you choose not to purchase a Premium membership plan then you’ll remain a  Free Universe Member with access to the growing library of free Plugins.


What’s the Community part you mentioned?


One of the best things about Universe is that the tools will grow around your motion graphics, visual effects and editing needs. Through voting in Universe Labs, you will help choose what tools to make next. Also, Premium members are eligible for access to early betas, helping us choose what features to add or improve in a new tool.


I am totally sold! How do I join Red Giant Universe?


It’s easy. Head over to the Red Giant Universe page, and sign in with your Red Giant ID (or sign up, if you don’t already have one – its free). Once signed in, download and install Red Giant Link (just follow the on-screen instructions after signing in).


Why am I downloading Red Giant Link, and not Universe?


All Universe plug-ins (and many other Red Giant products) are downloaded, installed, and updated through Red Giant Link  – so you’ll need to download link to get access to the Universe library of tools. (Learn more about Red Giant Link)


OS Requirements:


  • Mac OS X Mountain Lion 10.8.5

  • Mac OS X Mavericks 10.9.0 and later

  • Windows 7 with Service Pack 1

  • Windows 8 and 8.1

Host App Compatibility:


  • Adobe After Effects CS5.5, CS6, CC

  • Adobe Premiere Pro CS6, CC

  • Apple FCPX

  • Apple Motion 5




Red Giant Universe is Here!

DSLR Footage Workflow in Adobe Premiere Pro




Adobe TV have recently uploaded this helpful video on recommended workflows when using DSLR footage in Adobe Premiere Pro…



Jason Levine walks you through the basics of importing footage from your DSLR directly into Adobe Premiere Pro, selecting clips, setting In/Out points, and building a sequence. Work with multiple formats/frame rates/frame sizes, all simultaneously, and learn how the Adobe Mercury Playback Engine can be modified to optimize playback performance, no matter what kind of machine you’re editing on.




DSLR Footage Workflow in Adobe Premiere Pro

CAME Camera Jib Review



Tom Antos puts the CAME camera jibs through its paces:


Best way to add production value to your videos and films is by moving the camera in a precise way. Dolly allows you to move the camera left and right, BUT a crane makes your videos look even more epic by smoothly moving the camera up and down.


You can buy these cranes here: 



 



CAME Camera Jib Review

Monday, 28 April 2014

Some Samsung Galaxy S5 Units Suffer Camera Failure

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The Samsung Galaxy S5 is billed as having one of the best camera’s ever included in a smartphone, but it sounds like the flagship device may be suffering from teething problems. It has been confirmed that an unspecified number of Galaxy S5s have shipped with cameras that don’t work. Affected users are greeted by the error message “Warning: Camera Failed.” Your only option for getting the issue fixed is to contact Samsung’s customer service in order to get your phone replaced.



“We have discovered that the issue has been seen in a very limited portion of early production Galaxy S5 units,” a spokeswoman told Reuters, “and was caused by complications in the ROM (Read Only Memory) component which stores the information necessary to operate the camera.”




Some Samsung Galaxy S5 Units Suffer Camera Failure

Turbopack 9000: Power Your GoPro Camera For 12 Hours


Turbopack 9000


The Turbopack 9000 was originally created to power B4 lens systems but it’s manufacturers, Fotodiox Pro, have now discovered a potentially even cooler use for the battery. It can power a GoPro for up to 12 hours, making the $70 device ideal for taking with you on longer journeys. Fotodiox Pro are now apparently running tests to see if they can power the Blackmagic Pocket Camera.



The Turbopack outputs any of three voltages – 12v, 16v, or 19v. Power up the Turbopack with the included AC charger, and the 4 LED meter lets you know how much run power is left. Simply connect the Turbopack to your lens with your choice of either a 6-pin or 12-pin connecting cable (sold separately). Then, depending on your specific lens, you’ll get powered fuctions like cruise zoom, quick zoom, iris return, and more.


The Turbopack 9000 does not have a “sleep” function, so your lens is fully powered at all times, ready to go at a moment’s notice. Also built in is a USB port that can be used to power your camera, or charge a phone or tablet, etc. The Turobopack is rated for 25Wh for extra long run times between charges.


The Turbopack 9000 Kit also includes a fitted case with velcro attachments so you can secure it anywhere on your camera setup. 


For more, head over to Fotodiox Pro.




Turbopack 9000: Power Your GoPro Camera For 12 Hours

3D-Printed Time-Lapse Motion Control System

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3D Printing technology is opening up a world of opportunity for photographers and filmmakers who know have the chance to start “printing” custom parts or even entire rigs for a fraction of the price.


Looking to reduce the weight of his equipment while out photographing time-lapses, photographer Doug Urquhart 3D printed and put together a 3-axis modular time-lapse motion control rig that is apparently 50% lighter than his previous setup.


The system makes use of 72 inches of carbon fiber (for rails) in combination with a 3D printed Pylyamide–12 (nylon) 3-axis motion control system. The rig offers dolly, pan and tilt capabilities.


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The process of creating the rig certainly wasn’t simple but if you happen to have access to a 3D printer and fancy having a go you can follow the instructions by heading over to Instructables at the link below.


You can check out some test-footage shot with the rig here.


3D Printed, Ultralight, 3-axis Modular Time-Lapse Motion Control System




3D-Printed Time-Lapse Motion Control System

Thursday, 24 April 2014

$15k Drone Crash in Amazon Rainforest



The video above shows how aerial filmmaking with a drone can be a costly experience when things go wrong. Christ Newman and the team from CineChopper captured the moment when their $15,000 drone “went rouge” in the middle of the Amazon Rain Forrest while shooting for Animal Planet. The apparent cause was a broken remote control, luckily the guys had a backup!




$15k Drone Crash in Amazon Rainforest